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Summary of Stanza 1 of the poem Archaic Torso of Apollo. Line-by-line analysis. This week’s poem is a new English translation of Rainer Maria Rilke’s sonnet ” Archäischer Torso Apollos”. “Apollo’s Archaic Torso” is by a. Archaic Torso of ApolloRAINER MARIA RILKE Source for information on Archaic Torso of Apollo: Poetry for Students dictionary.

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That is the creative agenda behind the poem “Archaic Torso of Apollo.

The laurel feeling of Daphne asks you to become its invisible complement, passing through it in a possession-less caress on the way to somewhere else. Malinowski was an anthropologist whose fieldwork among the Trobriand Islanders of New Guinea involved him in the study of a culture unlike that of Europe and other civilizations.

Rilke wrote in English?

On “Archaic Torso of Apollo”

Rilke wrote in german. Inhe went to Switzerland where he spent the last years of his life.

In this way, the torso is illuminated and is also illuminating. Often, in archxic, the lyricism of his German turns into slightly awkward, intellectualized, and out-of-focus English. In her essay, “Modern Fiction,” the English novelist, Virginia Woolf,succinctly set forth the aim of Modernism.

And selections from Luxorius and Rilke in two translation volumes.

The absence of the head signifies a hole in “our” knowledge, not a defect or deficit in the statue. The brilliance of the piece, the glow, is everything. The speaker’s awareness of change comes from an understanding that the torso possesses a force of life within it that negates the change that ruin has wrought upon it. From Ahead of All Parting: This blurring of boundaries provides an indication of Rilke’s belief in the unity of perception arcaic exists despite the formal separations art makes i.

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In the following essay, Heims discusses Rilke’s belief in the reciprocal, linked relation between an object and the person who beholds it. The poem has no defined rhyme scheme but the syllabic meter stays fairly constant, with no fewer than nine beats per line, and no more than twelve.

The Archaic Torso of Apollo by Rainer Maria Rilke – Dreaming Beneath the Spires

Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders. Jeremy; the above is not Stephen’s translation – his appears here: Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.

Phenomenology argues that the natures of the thing perceived and of the person perceiving are interdependent, and thus concludes that subjective perception is the only true perception.

If “we,”—the “we” that apolloo the poem meaning all humanity, including the poet —see the torso through the poet’s eyes, then we are obliged to realize that we are not who we ought to be.

Sensuous violence suffuses the phrase “glisten like a predator’s pelt”. The New Poems, especially the volume. When we confront a great work of art, a great work of the spirit, we feel something, but how difficult, how impossible it torsoo to say what it is.

Archaic Torso Of Apollo – Poem by Rainer Maria Rilke

Show 25 25 50 All. Rilke is truly amazing. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned apollp low, gleams in all its power. I studied it during my first year in college and have fallen in love with it ever since.


Still I Rise Maya Angelou. The early formalist and the narrative master. Else scarcely would the curve of chest bedazzle you, soft gasped meanwhile loins could not draw a breath to bring apolll smile to that dark core of procreation’s verve.

Analysis of Archaic Torso of Apollo by Rainer Maria Rilke

A reader of a poem, or the viewer of a sculpture, provides a third silence contemplating the silence of the art work, of the poem or the sculpture, as if it were his or her own silence. We seem to meet a younger Apollo in this version, a decisive, sexy god whose “lion’s mane” reminds us he is a god of the sun.

A look containing the brilliance of all poems, and capable of fatally searing us. The ruined, but still handsome, statue of Apollo inspires Rilke’s lyric through the higher implications of physical or artistic beauty. If it were this, actually broken, we couldn’t know what we do.

Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared.

It may be clear poetic logic for the Apollo frontispiece of the second volume to begin by distinguishing itself from the first Apollo with a wry pun. It is now a decapitated ruin. Order by newest oldest recommendations. Also, the inner brillance, and how when looking at a masterpiece it reminds one of greek gods.